Elizaveta Friesem
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​Why Does "Sorry" Seem to Be the Hardest Word?

*last updated on October 3, 2026

There is a reason the title line of Elton John and Bernie Taupin’s song “sorry seems to be the hardest word” resonates with so many people. It captures something familiar and deeply human. For many of us, saying sorry is hard not simply because the word itself is difficult, but because of what it seems to mean. An apology can feel like more than an acknowledgment of a mistake. It can feel like an admission that there is something wrong with us.

When we apologize, we usually acknowledge some relationship between what we did and something that went wrong. Maybe we said something hurtful. Maybe we acted thoughtlessly. Maybe we made a decision that had consequences we did not anticipate. Maybe we failed to notice something important. Saying sorry means allowing ourselves to recognize, at least for a moment: I did something that contributed to this. That does not necessarily mean that we intended what happened, that we were its only cause, or that everything was under our control. But even this limited acknowledgment can be uncomfortable. It asks us to look at something we did and admit that we wish we had done it differently.

Part of what makes this difficult, I think, is the way we see ourselves. Most of us want to think that we are basically good people. We know we are imperfect and make mistakes, but underneath those imperfections, we tend to preserve a positive view of ourselves: I am a decent person. I mean well. I try not to hurt others. An apology can seem to threaten that image because a statement about an action can begin sliding into a statement about identity. I did something wrong becomes there is something wrong with me. I hurt someone begins to sound uncomfortably close to I am the kind of person who hurts people.

Perhaps this is one reason defensiveness comes so easily when somebody tells us that we have hurt them. We explain what we meant. We point out what they misunderstood. We remember what they did first. We emphasize the circumstances that made us act as we did. Sometimes these explanations genuinely matter. But sometimes they also protect the story we tell ourselves about who we are: I am a good person, so surely what happened cannot really mean what you say it means.

The strange thing is that we may already know, in the abstract, that good people make mistakes. We readily say that nobody is perfect. Yet when a particular mistake becomes ours—especially when another person has been hurt by it—that knowledge can suddenly become harder to hold onto. Perhaps this is because the categories of “good person” and “bad person” are doing more work in our minds than we realize. I have written elsewhere about the problems with this division and about the limitations of treating “bad people” as a separate category of human beings. In the context of apology, one consequence becomes especially visible: if harmful actions belong to bad people, then acknowledging that I caused harm threatens to place me on the wrong side of a moral divide.

But an action that requires an apology does not contain the whole person who performed it. Saying “I was wrong” is not the same as saying “I am wrong.” Saying “I hurt you” is not the same as saying “I am a bad person.” This does not mean that all actions are morally equivalent or that differences in harm do not matter. It means only that causing harm does not turn someone into a fundamentally different kind of human being.

Once sorry begins to carry the hidden meaning I admit that I am bad, other meanings can easily become attached to it as well. Saying I am sorry can feel like accepting the other person’s entire interpretation of what happened, or like taking full responsibility not only for our own actions but also for everything the other person felt afterward. With so much packed into one small word, refusing to say it can begin to feel like self-protection.

But an apology does not have to mean all of that. It can begin with something simpler: acknowledging the other person’s experience. I see that you were hurt. I see that this made you uncomfortable. I see that something happened here that mattered to you. I do not necessarily have to agree with every interpretation of the event in order to recognize that the other person is genuinely experiencing that reaction.

It can also mean acknowledging a connection. Something I said or did became part of what the other person experienced. That is different from claiming that I alone caused their reaction or that I had complete control over it. A person’s emotional reaction can be shaped by multiple factors, including what happened, prior experiences, expectations, the surrounding context, and how the event is interpreted. But recognizing that complexity does not require me to pretend that my own action had nothing to do with what happened. I can say, in effect: I see that what I did affected you.

And once I can see that connection, an apology can point toward the future. If something I did contributed to pain or discomfort, there is something in my own behavior for me to pay attention to. Maybe this was an isolated mistake. Maybe it reveals a pattern I have not noticed before: becoming sharp when I feel criticized, withdrawing when somebody needs a response, interrupting, making a joke at the wrong moment, assuming I understand before I have really listened. Seeing my part does not mean condemning myself for it. It means that something which may have been invisible to me before has become visible—and I can carry that awareness into what I do next.

This is a more useful meaning of sorry. Not: I admit that I am bad. Not: Everything that happened was my fault. But: I see that you were hurt. I see a connection between something I did and what you experienced. I acknowledge my part in what happened. The rest does not necessarily need to be said aloud. But the acknowledgment itself gives me something to work with.

I use AI tools as a kind of writing partner—to shape drafts, clarify arguments, and explore phrasing. But the ideas, perspectives, and direction are always my own. Every piece here is part of an evolving personal project. For more details about my use of AI, see here.
  • About
  • Books
    • Media is us >
      • Principles of communication
      • Micro- and macropower
      • ACE model
      • Description of chapters
    • Hypertexts >
      • Me, looking for meaning >
        • A >
          • Are you an individual?
        • B
        • C >
          • Camus, Sartre, and the Questions of Meaning and Freedom
          • Culture is human nature
          • The Curse of Special
        • D
        • E >
          • Empathy with Boundaries
        • F
        • G
        • H >
          • Human thinking
          • Human thinking is nonlinear
        • I >
          • Ideas
        • J
        • K
        • L >
          • List of completed pages
          • The Lure of Special
        • M >
          • Make Sense
          • Mean and stupid
          • Meaning
          • Meaningless
          • Meaning-making vs. sensemaking
          • My quest for meaning
          • The Myth of "Bad People"
        • N >
          • Narratives and Circumstances
        • O >
          • On being a scholar
        • P >
          • Postmodern philosophy
          • The Problem With Needing to Be Good
        • Q
        • R >
          • Reality
          • Rethinking What It Means to “Love Your Enemy”
          • Rhizome in philosophy
        • S >
          • Stories we tell
          • Stories That Hold: Narrative, Identity, and the Work of Continuity
          • Symbolic interactionism and Buddhism
        • T >
          • The importance of having a purpose
          • Three Blind Men vs Rashomon
          • Three Coordinates
          • Trust and Conflict (and Dragons)
        • U
        • V
        • W >
          • What does it mean to "understand"?
          • What's wrong with them?
          • When You Are Angry at Me, Who Are You Angry At?
          • Why do people hurt each other?
          • Why does "sorry" seem to be the hardest word?
          • Why is it so hard to live together?
          • Why is language so unhelpful?
          • Moral complexity and ambiguity of truth in Wicked
        • X
        • Y
        • Z
  • Editing
    • Me as your editor
    • How I will help you
    • Pricing
    • Privacy policy
  • Blog
  • Learn more
    • Talks and interviews
    • Essays
    • Poetry >
      • English poems (full list) >
        • Butterfly (poem)
        • One day, I will return (poem)
        • Where are you now? (poem)
        • Hole in the world (poem)
        • Wondering (poem)
        • What people call love (poem)
        • Lullaby (poem)
      • Russian poems >
        • Stranger >
          • Wanderer II (poem)
        • Lonely heart >
          • You Walk Along These Streets (Poem in Russian)
        • Fairy tales
        • Dreams and nightmares
        • Puzzles
        • Moon
        • Seasons
        • Muse
        • Games
        • Sketches
    • Epoxy resin
    • Photography
  • Contact me